Georgia metal act, Baroness, has won over many people with its signature blend of alternative, sludge and progressive metal. In 2012, the band went through a traumatic bus crash. Drummer, Allen Blickle, and bassist, Matt Maggioni, left the band after the accident. This left Baroness with a challenge. The band had to make an album that topped its previous effort, Yellow and Green, and do so in the aftermath of the accident. Does Purple answer the call of duty?
  First off, this album is a cohesive effort. It boasts a clean sound and flows well. It’s a lean beast running at 42 minutes that helps Purple feel focused and concise. There is no fat to trim.
  Purple is also an accessible record. Its aforementioned fusion of metal genres is always balanced and no element feels overbearing. This album succeeds in adding catchy hooks and melodies to the band’s sound. The riffs are fun but maintain a hard-hitting sound, resulting in a sonically pleasing LP. The production is often layered but never gets carried away with the grandiose. The psychedelic touches also go a long way, while John Baizley provides vocals that are both heartfelt and masculine.
Technically, this album is a winner. The instrumentation is diverse and shows skill from the band members. The production is nice, splashing in colorful layers.
  The lyrics prove as another highlight of this album. They’re poetic and meaningful, but still fit well on a metal release. “Pull me to the ground, if I have to fall down, let me fall to you,” is one the lyrical showcases on Purple.
  From “Shock Me” to “Chlorine and Wine,” Purple is a juicy metal release waiting for consumption and repeat listens. This is one of Baroness’s best works and 2015’s strongest releases. For this, Purple earns four stars.